Friday, May 29, 2009

showtime

Posting has been light these past few weeks as I am co-directing our school's production of "Beauty and the Beast" this year, which has its first show today. Promise to return after the curtain falls with the latest date stamps, plus thoughts from production week, which will probably include entire paragraphs on how much I love the sound of children singing. 

(When they are in tune.) 

(Also? When they are not chewing gum.) 

(Which is a no-no on stage how many times do I have to say it and don't come crying to me when you asphyxiate during "Be Our Guest.")

(Which is a real show-stopper, complete with kick line.)

Back soon, certain as the sun.
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Tuesday, May 26, 2009

date stamp: 5 p.m. gmt, may 20, 2009

Helen Keller once observed that, "The world is moved along, not only by the mighty shoves of its heroes, but also by the aggregate of the tiny pushes of each honest worker." There may be heroes among this collection of date stampers (sometimes just facing the day is an act of heroism in and of itself), but as the images captured here at 5 p.m. GMT illustrate, there is no question that we are honest workers.

This moment in time found one date stamper on a well-deserved break from the war in Iraq at home on Oahu, as two others in Shanghai and Singapore prepared for the next day's go 'round and tucked in for a toddler-induced sleep, respectively.

In the western world, work days were just beginning, or already underway, and in between the administrivia that naturally punctuates more creative endeavors, date stampers took a break to tend to gardens, knead dough, grab a bite to eat, or just take a contemplative breath.

We may, as Keller also noted, long to accomplish great and noble tasks. But as date stampers the world over demonstrated today, it seems that our chief duty is, in Keller's words, "to accomplish humble tasks as though they were great and noble."

Say hello, then, to a great and noble world as it was observed on May 20, 2009:

________________________________________________

London, England
GMT
(5 p.m., local time)


Well, the sun is just touching the treetops at the bottom of the garden and I'm making my rounds of the fruit and vegetables. In previous years I've just allowed the fruit trees - apple, apricot, cherry and plum, to go their own way. But now that I seem to have taken on my late father's gardening mantle, I'm paying closer attention to everything: checking for fruit-set or signs of disease and wondering if there will be enough grapes to produce a few bottles of wine.

I'm amazed at the speed that the sweetcorn, peppers and runner beans are growing and try vainly to keep the tomato vines under control. They're heading for the greenhouse roof with all the vigour of the plants that Dad used to grow as a market gardener. I hope he's cheering on my efforts, surprised and pleased, as I am, by the emergence of these three potato plants - Vivaldi, Red Duke of York and Charlotte.


Screenwriter
________________________________________________

Edinburgh, Scotland
United Kingdom
GMT
(5 p.m. local time)

I made some dough and left it to rise in the late afternoon sunshine. The resultant rolls it made were sweet and fluffy - the perfect accompaniment to our tofu burgers!

Laura Anderson
Freelanc
e Writer and Filmmaker
________________________________________________

Toronto, Ontario
Canada

GMT -5

(10 a.m. local time)

An unremarkable moment for this date stamp...
In a regular hum-drum meeting...
Looking out a window and wondering...
'Is there more to life than this?'
'Are we alone in the Universe?'
'What is our purpose in this life?'
'I wonder what's for dinner?' ... and back to work I go.
________________________________________________

Manchester, England
GMT
(5 p.m., local time)
















As captured by Peter Spencer, Screenwriter.

________________________________________________

New York, New York
United States
GMT - 5
(12 p.m. local time)

Today turned out to be an unwanted day off (i.e., unpaid), so I started off the day by doing my laundry. As I passed the Ukrainian Catholic Church on the way to the laundromat, I noticed the three mosaics on the front. The picture doesn't do it justice. It's much gold-er looking, and alas, the tall building across the street blocks the sun from really hitting it and making it truly sparkle, but it's still a beautiful work of art that I'm sure church-goers find inspirational. In fact, when I passed by on my way back from the laundromat (still before 12 noon) I saw that an ice cream truck driver had parked his truck by the church and was standing in front, praying (the gates were locked). An interesting Queens scene.


Mrinalini Kamath
Playwright, Filmmaker
_____________________________________________

Raleigh, North Carolina
United States
GMT - 5
(12 a.m. local time)

A day of meetings. One runs into the next. The morning... becomes a blur. Time flies when you’re having fun? Run out, grab a bite, run back, continue to work. Another Power Lunch at the bottom of the Food Chain.


Michael Scherer
Screenwriter
_____________________________________________

Louisville, Kentucky
United
States
GMT - 5
(12 a.m. local time)

Fullness of day met vulnerably, its loveliness revealed as an orange, peeled and sectioned, through threshold and window lattice. Mouths of words
sweetening home.

— Jeanne Hammond

Screenwriter
_____________________________________________

Westlake Village, California
United States
GMT - 8
(9 a.m. local time)


Poolside, both girls at school, the day just warming up. An hour carved out to work on the manuscript, then time for yoga. Hollywood cliché? Hardly. Except for the pedicure, which you've only recently started splurging on, you started your "hot yoga" practice back in the hot and steamy mid-west, some eight years ago. The writing started there as well, and quickly blossomed into a suitcase-full of dreams so large, you had to sit on it to get it to zip closed, way back in 2003 when you decided to air those dreams out in the bright SoCal sunshine. Six years on, and the dreams have not lost their luster. In fact, they're even juicier than when you first conceived of them, if not yet quite ripe. You'd like them to be (ripe, that is), but what do you know? For all the dues paid and time you put into it, you're still an amateur.

— Pamela Schott
Author, Screenwriter


_____________________________________________


Beijing, China
GMT + 8
(1 a.m. local time)

Eat and learn.... When we were getting ready to move to Shanghai from Louisville, Kentucky, we were advised by other expats to bring as much of our favorite U.S.-snacks as possible as they might not be available in China. Or, if they were, they'd be expensive — at least twice the U.S. price. It's hard to pay nearly $5 U.S. dollars for a bag of goldfish crackers, when I was paying $1.69 in the States. It doesn't matter how much my three kids beg me to buy them. I started exploring the local supermarket for alternatives. Through constant buying and trying, I've found some great snacks not just from China, but other countries as well. The mini ice cream cones in the photo are a very popular brand in the U.K. The muesli from Germany is excellent with the locally made peach yogurt. The chocolate-coated digestive cracker from Korea is not too sweet and has great chocolate flavor. The red bean mochi from Taiwan, while not as good as freshly-made, are still tasty. The foods themselves are not so different from what we ate in the U.S., yet the unfamiliar characters or different words on the packaging spark conversations among my children about where the food could be from. Snack time then turns in to a mini geography lesson, and all of a sudden we're learning about the rest of the world — one snack at a time.

— Ginley Regencia

_______________________________________________

Royal Ville
Singapore
GMT + 8
(1 a.m. local time)


While people are wrapping up their days at GMT 5pm, our little corner of Singapore is asleep...well, almost! The whole world seems ensconced in darkness and the only things visible are the time on the clock radio and the lights on the baby monitor. It's nice basking in the silence of the night after a chaotic day of toddler activities, daily chores and American Idol. See you in the morning Singapore.

— Sonia Marzuki
Freelance Writer, PR Consultant
_____________________________________________

Tikrit, Iraq
GMT + 3
(8 p.m. local time)

Note: Art La Flamme is on leave from his duties in Tikrit, Iraq. This photo was taken from his home on base at Oahu, Hawai'i.

Art La Flamme
Blogger/Army Serviceman
_____________________________________________

Elsewhere in the world:

Panama Canal, Panama
United States
GMT - 8
(9 a.m. local time)



















Australian Station
Antarctica
GMT + 4
(9 p.m. local time)





















Abbey Road
London, England
United Kingdom
GMT
(5 p.m. local time)



















Venice Grand Canal, Italy
GMT +1
(5 p.m. local time)


















Paris, France
GMT + 1
(6 p.m. local time)

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Monday, May 11, 2009

date stamp: 4 p.m., april 30, 2009


The last day of April 2009, and date stampers from around the world filed mundane (not to say boring) reports that indicated that, media hand-wringing to the contrary, life was carrying on, the sky (as true blue in Scotland as any ever witnessed) was not falling, and people from all over the world were placing one foot in front of the other and getting on with the day. Much like one American soldier in the middle of a troubled, ancient desert had done on his daily run.

There was work to be done, a child to be delivered to school, pastures to be grazed. And so it was, and she was, and they were. Nothing out of the ordinary, nothing glamorous or Earth shattering. And yet. It is in the simplicity of each of these reports that the pulse of the world is detected, a quiet, constant, steady rhythm, proof if ever it was needed (which is more and more these days, it would seem) that all is well.


London, England
GMT
(4 p.m., local time)


Well, as befits the run up to a Bank Holiday, the weather is gearing down for the occasion - pretty overcast and a bit chilly, so I'm indoors tidying up my storyboard files. Fred, my very able artist's model was pressed into service for the fight scenes and is now offering his opinion on the resulting sketches.




Screenwriter


________________________________________________

Edinburgh, Scotland
United Kingdom
GMT
(4 p.m. local time)

I spent the day writing and doing admin tasks, taking breaks to stare out of the window and up at the clouds.

Laura Anderson
Freelanc
e Writer and Filmmaker
________________________________________________

Manchester, England
GMT
(4 p.m., local time)


As captured by Peter Spencer, Screenwriter.
________________________________________________

New York, New York
United States
GMT - 5
(11 a.m. local time)


Well, 11:00 is when the phones are turned on at my job, so here's the phone. To the right you'll see the wall of the cubicle - not quite sure why there's a bottle of white-out behind the phone (I don't think I've used white-out since college). This is the moment before the onslaught - the first two hours are always the busiest. Lucky for me that with the economy being the way it is, people are still interested in going to the theatre at all.

Mrinalini Kamath
Playwright, Filmmaker
_____________________________________________

Raleigh, North Carolina
United States
GMT - 5
(11 a.m. local time)

Another day — another 50¢ (and that’s before taxes).


Michael Scherer
Screenwriter
_____________________________________________

Louisville, Kentucky
United
States
GMT - 5
(11 a.m. local time)


Today is two days before the 135th Kentucky Derby. A former Derby horse, Perfect Drift, grazes by a parking lot at Churchill Downs. If memory serves, he came in third in the 2002 race. I thought, how wonderful to have already completed your best run!

— Jeanne Hammond

Screenwriter
_____________________________________________

Westlake Village, California
United States
GMT - 8
(8 a.m. local time)

This image perfectly captures the last four years. Sunlight pouring out of the east, lighting the way to school (straight ahead for five blocks), or the ocean (turn right at the stop light).

Every day without fail, we've walked this way, back pack and brown bag lunch in hand, Lucy on leash. You feel privileged to be so close to school that you can avoid carpool lines and frantic SUVs altogether, glad of the time you have with her to talk about the dreams she had the night before, and the ones she has for the rest of her life.

With the all the uncertainty you're currently facing, you feel even more profoundly these moments together as you push forward into a new day, pushing away thoughts of scarcity, of ruin and disappointment. This is all there is. This moment, right now. Everything else is illusion. And for that you are so grateful.

— Pamela Schott
Author, Screenwriter


_____________________________________________

Tikrit, Iraq
GMT + 3
(7 p.m. local time)

5 days, 4 runs, 30 miles. My soles are like alligator skin. I managed to get a blister on the arch of my foot. And I have a blister on a blister, on a blister that has now popped.

But these aren't complaints; this is my reality. I'm a runner, and these things won't stop me.

Art La Flamme
Blogger/Army Serviceman
_____________________________________________

Elsewhere in the world:

Panama Canal, Panama
United States
GMT - 8
(8 a.m. local time)


















Australian Station
Antarctica
GMT + 4
(8 p.m. local time)





















Abbey Road
London, England
United Kingdom
GMT
(4 p.m. local time)




















Paris, France
GMT + 1
(5 p.m. local time)












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suspended animation

A couple of weekends ago, you took a trip to the nursery to purchase some annuals. On the face of it, buying the flowers was a necessity: the yard was starting to look long in the tooth, abandoned, as if its owners had already begun checking out, moving on. A sprinkle of color underneath the olive tree would suffice — some reds and whites and a dash of impatiens whose petals resembled an Orange Creamsicle seemed to make all the difference in the world. And while it was true that the neglected-looking yard did need sprucing up, the need to plant flowers went beyond aesthetic.

In truth, you needed to get your hands dirty. To immerse limbs, elbows-deep, into the soil. To feel the gritty earth under your fingernails and the breeze on your back as you knelt in the olive's shade and recommitted yourself to this place you call home.

Since August, you have been trying to restructure the mortgage with your bank so that you can keep the house, keep raising your children here, keep one foot in the community you crossed the country to be a part of. 2008 was a tough year for your family in every way, a year defined by loss and limbo — loss due to the death of your mother-in-law, the slow demise of a business, and with it, the majority of your savings that has resulted in a limbo-like state of existence, a place where you register sound through cotton-ball ears and observe things with blurred intensity.

The soil was rocky and root laden, and much less yielding than you had imagined it would be. You were surprised by this, taken back by the effort it took to dig a hole a few inches down and around, the way your hand cramped as it grasped the trowel. But what were you expecting? Sandy soil that submitted to the trowel's blade without protest so that you could cleave and dice to suit your intentions? Well, yes. But the displacement of the earth was only temporary, and for a greater gain. Once the flowers were firmly in the ground, all would be returned to as it had been, only now, where once there was only the dirt itself, there would be life. Color. Cheer.

And maybe that's what these past nine months have been about as well. A digging up, displacement, and turning over of the rocky bits, a slicing through of shallow roots, a clearing away of sorts so that something vibrant might take its place, however temporarily (the flowers are, remember, annuals, which means that in time, they will have to be dug out and replaced, too).

Who knows? From this vantage point, all you can do is observe, and wait, and appreciate. And while you'd prefer knowing, would welcome a clear path (stay? go? where? and when?), what you do know for certain is that objects in a state of suspended animation are supported. Something sustains them, keeps them functioning, alive, until it's time to reanimate.

You're waiting to be reanimated. To take root and thrive. To bounce with color and cheer. You know it's coming. This season will turn, and you will go on.
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